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THE CELESTIAL EVENT
OF A LIFETIME

A project of the Senior Seminar in Journalism,

St. Thomas University, Fredericton, N.B.

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Astronaut Chris Hadfield will be in Florenceville-Bristol for an eclipse watching event.

TOURISTS, ASTRONOMERS, ASTRONAUT CONVERGE ON NEW BRUNSWICK'S
PATH OF TOTALITY

By Giuliana Grillo de Lambarri Every time Chris Kerwin looks at the night sky, he is mesmerized by the beauty the universe puts at his feet every night for free. While this Saint John local has been working at a phone company for the last 20 years, his passion for astronomy runs even deeper. "When I was a young boy, that wasn't yesterday, I can remember going to a summer camp outside the city, lying in the grass in the middle of [a] hot August night and looking up at the stars, wondering if anybody was looking back." And on April 8, Kerwin is excited to share his hobby with the many people coming to New Brunswick to witness a total solar eclipse. A total solar eclipse occurs when the Moon comes between the Sun and Earth, completely obscuring the Sun's face and thus darkening the sky as if it were dawn or dusk. The path of the eclipse goes from Mexico to New Brunswick, with specific areas such as Fredericton experiencing 100 per cent totality. This natural occurrence is quite rare, with the last eclipse observed in the province dating back to 1932. "When the Moon is too far away to cover the complete disk of the Sun, the circle that goes around the outside of the sun, that ring of fire they talk about it's called the annulus," he said. "That's why we call it an annular eclipse." Due to their infrequency, Kerwin is confident that this once-in-a-lifetime total eclipse will boost tourism to the province. "It's completely magical. There's nothing in my opinion, that's a bigger celestial event than seeing the sun completely blocked," he said. Kerwin manages a Facebook page named Astronomy by the Bay, where he organizes stargazing events, promotes existing astronomical publications and shares his hobby with the people of Saint John. However, he won't stay in his beloved city this time to watch the eclipse. Instead, he is attending an event in the District of Carleton North, Florenceville-Bristol, headlined by astronaut Chris Hadfield, who has served in three space flights starting in 1995. But Hadfield’s presence goes beyond his space experience, as he is also an experienced musician who knows how to keep a crowd entertained while giving them the facts in non-technical ways. "There's a large balloon going up. And the balloon is equipped with six cameras and it's going to broadcast the life heat of the eclipse to six different locations along the western part of the province," he said, adding that even if it is foggy that day, the cameras should be able to catch footage of the natural phenomenon. The event is geared towards both experienced astronomers and amateurs alike, but it comes at a high cost. General admission is priced at $60 while VIP tickets cost $200. For the people who want to enjoy the eclipse for cheaper, Fredericton Tourism is putting up an EclipseFest, which will include events going from Friday, April 5 to Monday, April 8. Roshni Kollipara, events officer at Science East, said the science museum is preparing to have full capacity – around 150 people – for its collaboration with Fredericton Tourism. "I think there will be a decent amount of travel, we're preparing for a lot more people so that at least it doesn't catch us by surprise," she said. Science East is also lending its travelling planetarium to the Fredericton Library, hoping to appeal to kids and families. The travelling planetarium is an inflatable dome with a 360 projector inside. "[From] a science awareness and outreach perspective, [the eclipse is] also something that brings science to more of the forefront of people's minds and increases awareness," said Kollipara. The science museum is selling $2 sunglasses for the upcoming eclipse event, which is geared toward children's first eclipse. It will also be Kollipara's first time being on the path of the celestial event. "This is the first time I'm able to experience it myself, and the next one is going to be I think it's 2079," she said. "That's a long way away. So I guess like it's super interesting that I'm able to experience it."

HOW AND WHERE TO WATCH

By Miles Bergquist Amid all this writing about the eclipse, one question must be asked: “how do I actually see the thing?” Here is your comprehensive(ish) guide on the who, what, when, why, and where of this once-in-a-lifetime cosmic event! First and foremost is safety. The correct eyewear is essential for viewing; you want to get the ISO 12312-2 certified glasses. There are many people walking around who, after watching an eclipse unprotected, have a permanent ring burned into their vision! It is vital to take this seriously, and must be the top priority before heading off on your eclipse pilgrimage. But you better get them sooner rather than later, because supplies are sure to be dwindling! The second concern is where to be. Fredericton residents are in a uniquely fortunate position, as they fall right smack in the path of totality. Permitted that weather conditions cooperate, you may only have to set up in your yard and look up (if there is any risk of cloudiness in your area, get to clear skies!). In fact, this may be the best option, as traffic tends to seriously build up before an eclipse. It would not be a surprise if the town flocked to the roads, heading for spots more in nature. Which brings me to another option: being in the woods. It is said that, when one witnesses an eclipse in nature, the sounds of night rise with the encroaching dark, a temporary midnight. All the owls and bats and crickets and frogs join together in a chorus, before being silenced again all at once. Plus, light pollution will be minimal in these areas. It may be worth the trek, but be sure to give yourself plenty of time for traffic. If you can’t get out to a nature-filled area, try to stay away from places with lots of light, and get to the highest elevation possible, as it could minimize the potential for cloud-cover. And if you have friends or family that live outside of the path of totality, tell them to make the drive! Even an hours long trip is sure to be worth experiencing such a rarity. For these people, the best strategy would be to get a hotel in the path of totality and stay there a day or two before the event to beat the rush. Though this should be done quickly, as many places have already been booked solid for months. Maps that display the path of totality are widely available online. For St. Thomas students, there is a variety of on-campus events that are taking place to commemorate the occasion. If you don’t have certified glasses by April 8, STU will be handing out free pairs, along with glowsticks. But again, these will go quickly, so this should preferably be a last resort. Among the activities are a show by DJ Ian Curran in the Courtyard, a series of lawn games, a photobooth, a moment of silence, a BBQ, and more. A full schedule can be found here. That’s about it! Be sure to make yourself comfortable, bring a blanket or chairs, maybe some food, and definitely some loved ones. Make it a party! It is best to arrive early, so you may be waiting a little, but have faith that it will be worth it. Above all, enjoy yourself. We are among a very lucky few, so you might as well take advantage and live in the moment to its fullest. I look forward to those precious minutes where we are all joined in shared wonder, eyes to the skies. See you there!

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JACK'S EYE TO THE SKY

By Miles Bergquist On a hillside above the University of New Brunswick gates, a small octagonal tower points to the stars. The William Brydone Jack Observatory is a building in the periphery. It is one of those places situated at such an angle and on such a corner that it is rendered a blur on the sloping University of New Brunswick campus. Not quite hidden, but far from announcing itself. However, when the eyes rest on this inconspicuous little building with its chipped white paint and lime roof, it can’t help but pique your curiosity. What is it for? It must be out of use. For a while, it seems, time is the only hand that has touched it. Is it just some tool shed sitting in disuse? But what is this plaque by the old door? A name in bronze: William Jack, 1819-1886. It reads: “Born in Scotland and educated at St. Andrew’s, Jack came to Fredericton in 1840 as Professor of Mathematics, Natural Philosophy, and Astronomy at King’s College. In 1851 he built the first astronomical observatory in what is now Canada and equipped it with the best available instruments…” All of a sudden, this little building has sprung to life. What was once a portal to space is now a portal to time, to New Brunswick’s past as a hub of cosmological revelation in Canada. As a complete solar eclipse approaches the province, this old observatory lies in the path of totality. It only seems fitting to honor the name of Jack, who would’ve loved to see the day. Jack was a Scottish-Canadian professor at the University of New Brunswick, and the school’s second president. As is the case with many academics of his era, his personal life is enigmatic, and his writings, scholarly in nature, reveal much more about the skies above than any life he led below. He was born in Aberdeen, Scotland, a town of castles and archetypal Scottish green, in 1795. He was educated at the University of St. Andrew’s, one of the four “ancient universities” in Scotland, and was appointed Professor of Mathematics and Natural Philosophy at King’s College shortly thereafter. Much of the available biographical information paints a mental image of a lost breed of intellectual, one with a bushy white beard, hunched over stacks of research and sketches done on parchment, lit by pale, flickering candlelight. He lived and worked in a time when knowledge that is now taken for granted was just being groped at, the foundational sort of facts that lied in wait for people like Jack to build whole systems upon. One such fact was the longitude of Fredericton, New Brunswick, something that he, along with a professor from Harvard, discovered. Many such figures have been relegated to the obscure annals of history. What they uncovered may seem too pedestrian for interest to the common observer; their findings lack the luster of mind-bending quantum physics or deep-space exploration (though they dabbled in these arenas, make no mistake). But it is their relatively unremarkable quality that makes them so integral. They are unremarkable only because this work, done with instruments crude enough to be made in the average garage today, serve as the presupposed ground for any meaningful scientific inquiry. They provide the lens with which our world can be deciphered with any kind of coherence. It may be a more fruitful look into the significance of Jack if one shifts their focus to his greatest achievement: his observatory. Following his appointment as professor, Jack went to work trying to convince college leaders to build what would be the first observatory in Canadian history. He had a clear vision for his building, demanding state of the art refracting technology for the observatory’s telescope. The observatory and its telescope were meant to last into the future, to be used by aspiring astronomers long after Jack had passed. It is this transcendence beyond one’s moment that typifies a unique mind. Many of his colleagues at the time, and experts now, seem to concur. His hopes for the observatory’s future lends an air of quiet sadness to the building today as it sits without much presence. However, his observatory, and by extension his enlightened optimism, is by no means a wasted effort. The building brought about many years of study and discovery, and guided an entire nation into a future where our cosmos hung closer than ever. No melancholy should follow an encounter with the William Brydone Jack observatory. Perhaps a sense of reverence would be more appropriate. The telescope’s technology was inspired by a tour of Harvard University’s observatory, which utilized a rotating copper-roofed dome that could be operated by a single person. Jack’s telescope, made of mahogany and brass, used refraction, a process in which a bigger “objective” lens in the front of the instrument collects and bends light so that it can be magnified and seen through the eyepiece. It allowed the practice of star-gazing with precision to be much more accessible to the average student, bringing Canadian astronomy out of theory and into practice. The observatory was built to serve a dual purpose, not only to be Jack’s eye to the sky. Scientists are often forced to cater to meddling, bureaucratic interests; historically, if one’s discoveries aren’t seen as beneficial to some end other than science, usually some lower end, then petty power will work to undermine or block a pursuit entirely. It is not surprising that, after a squabble about the project’s usefulness and feasibility, the higher-ups of King’s College only relented after learning the data could be used to solve New Brunswick land disputes. Land disputes of this nature characterize much of the colonial era, mostly due to the lack of empirical data available to survey-makers. Before people like Jack made astronomical findings widely available, the process was more art than science. While much of the writing from and on Jack suggests that his passions lied more in the stars than in any borderline, he must be credited with a novel solution to the province’s problem: the introduction of a meridian line, based on astronomical readings, that could not be argued with. It is with this same line, which serves as the basis for longitude and latitude, that Jack recorded the coordinates of Fredericton. With this line as their basis, the provincial government could draw boundaries and borders in a way that effectively settled the issue, using research rooted in drawings and measurements of the Earth’s surface. He gifted those above him a priceless contribution that gave Jack permission to chase his dream with all the necessary resources at hand. Thomas Baillie, New Brunswick’s land surveyor general at the time, cemented the importance of Jack’s contribution. Without it, Baillie claimed the old surveys would’ve lead to a storm of confusion and acrimony: lawsuits, crumbling land grants, and a murky conception of the territory in general. New Brunswick’s first modern map was drawn in 1859, it is clear whom we have to thank. Land disputes during this period often had darker ramifications than someone like Baillie may have readily admitted. Namely, their role in the forceful removal of indigenous people from land that had been their home. In the writing that exists on Jack’s work resolving land disputes, there is nothing to specifically indicate that he took part in this displacement. However, one must face the workings of history, and in this time those workings were marked with blood. Jack, like many other big names in science, may have a complicated legacy (though this is unclear), but his work was undeniable. Instead of venerating the man, at risk of venerating injustice, one should turn their attention to the achievements, of which there are many, and their value. And it is a value that carries its weight into the present day. Though it should be said, if Jack’s legacy is to be under scrutiny, that during his role as the University of New Brunswick’s second president, assumed in 1861, he pushed vigorously for the admittance of women into the university. Women’s access to higher education in the 19th century was far from a guarantee; to some extent, Jack’s forward-thinking sense did not end in the realm of astronomy. The observatory was part of a wider effort on Jack’s part to broaden astronomy’s reach, to give the discipline to the public. He hoped that his love for the stars would prove infectious, that once others saw what he saw, it would be impossible to resist the pull. He made routine visits to local schools and temperance halls with the goal of educating whomever would listen. He used painted slides of constellations, comets, and, of course, eclipses. These aids, meant to bring cosmic phenomena out of the imagination and into classrooms, demonstrate a keen understanding and appreciation for the power of education. There is no doubt that Jack would tell you: a good teacher, able to translate their passion into an understood language, can ignite a generation of innovators. This premise was baked inseparably in his efforts. He educated with the explicit intent to convert. One can imagine these projected slides, spatterings of stars swept across classroom walls, made only of lantern light, Jack’s vision manifest and endowed with a hopeful promise: you can too. From where I sit, It would be hard not to be convinced. This vision held substance, and that promise, like his meridian line, proved inarguable. The observatory that is his namesake sits among trees, in the shadow of much larger and more architecturally ambitious buildings, with chipped paint and dusty plaque. What this observatory signifies in all its humility is much larger than its appearance suggests. It is better seen in the UNB astronomy department, seen in the UNB astronomy and physics club (a group of astral fanatics that Jack would’ve certainly loved to get a beer with, if he hadn’t frequented so many temperance meetings) seen in the upcoming Fredericton EclipseFest, which exhibits a level of cosmic enthusiasm from the public that is owed at least in part to the singular dedication of his kind. In an effort to emphasize the man’s accomplishments, the observatory chief among them, rather than the man himself, I have stumbled upon a conclusion: the man is inseparable, his work is left deflated without his tireless wind that filled it. It may be the case that any scientific work is flattened without knowledge of the person who authored it. And yet, at the same time, Jack does not matter at all. He was a mere vessel for a force that could not be contained by him, his observatory, or any campus or festival. It is a force that strives to forward itself. It is our collective curiosity. If nothing else, this little building in the periphery, and the man who designed it, are testaments not only to their field, but to the nature of field itself, to fountains of striving, and our need to know. With this significance endowed, time cannot touch the William Brydone Jack Observatory, time cannot touch William Brydone Jack, and they are as enduring as the stars. When you look up at the solar eclipse in April, a painted slide of our galaxy’s making, draw upon his curiosity. Ask questions, observe truly, further the project, join the timeless.

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Winter Forest

DISRUPTION

A Poem By Connor Campbell [ DISRUPTION / MANDATE_OF_HEAVEN ] “For after all what is man in nature? A nothing in relation to infinity, all in relation to nothing, a central point between nothing and all and infinitely far from understanding either. […] He is equally incapable of seeing the nothingness out of which he was drawn and the infinite in which he is engulfed.” - BLAISE PASCAL ____________________________________________________________________________ At the end of their track ‘Made Me Realize’ during My Bloody Valentine’s flies1. The screeching guitars become fuzzed out beyond recognizability, all instruments swirl and meld together in the same wall of noise. Drones and oscillations and feedback blurs into an amorphous beast that works its way through the audience. Pushing through all, flooding every crevice, the entire crowd falls in on itself, the ego collapses into Godhead.  Disruption: wherein the metaphysical moves its ephemeral hand and grasps the material. Ripping and tearing at the cotton-thin fabric of reality, resulting in penetration. Rupture. How can you go back to who you were when you realize what you are. When you’ve come face to face with the sublime? When the emptiness of everything casts itself over you and everything you know. THIRST FOR ANNHILATION whether through:\\ drugs sex loud music we try to cast off our shell (self) despite this, there’s a difference between the willing resignation of identity, and having it forcefully jerked from possession. The beast consumes, the sun is not known merely for sustaining itself on helium, it's known for its expansion, for the light that floods the land, that feeds the crops and supplies man and beast with vitamins and light. [It giveth] eclipse = definition by way of subtraction, all that is seen is, for a brief moment, wiped from the face of the earth, through negation, one finds out what they are: A small cog in a monolithic machine they can barely get a glimpse of.  TO LOOK UPON THE SUN IS TO BECOME WITNESS[ED] TO LOOK UPON THE SUN IS TO BE TRANSFORMED Bataille writes about Gaston F after staring into the sun, the man promptly wrapped his teeth around his index finger before sinking them in and severing connection. [ EXPENDITURE-EGO_DISOLUSSION-DIVINITY ] The sun disrupts on its own time, consuming the space around it and expending pure heat, it gives life and melts flesh in equal measure. Proximity to sublimity renders reality gnawed. Once one is introduced to existential disruption very rarely is returning an option. One enters into a position of religious ecstasy. When the borders of the body make themselves known it’s hard to become unaware of such things. WHERE DOES A BODY END? under totality all is pushed into the same melting pot of blackened sludge, one loses focus on physical borders.  The world becomes one shrieking mass.  Superego-Blowout In ancient China, the Mandate of Heaven was a cultural philosophy that helped determine how well a dynasty was functioning, Its other function was to foretell when a revolt should re-render the dynasty. Once the dragon swallows the sun, the land swallows its tyrant. The disruption on its own has a momentary effect on the people, but the rupture itself is not merely forgotten, the ripple spreads out, affecting not only the water's surface, but the body itself It is hard not to feel like the world is collapsing in on itself, as if the arc of the universe bends towards oblivion. disruption becomes necessary.

CONCEPTUALIZING TOTALITY

By Connor Campbell St. Thomas University is throwing a total eclipse viewing party, and, in a rather vain attempt to find some way to conceptualize, to prepare myself for this metaphysical event, I decided to speak with Matt Dinan, one of the university’s Great Books professors. He confessed that he was feeling a measure of anxiety about the event. “I keep thinking about my five-year-old, she wears glasses. How am I going to keep those solar eclipse glasses over her glasses,” he said. “I've already started kind of working on her about it because I'm very concerned about this and it is this feeling of a very small-scale powerlessness. “I'm kind of confronted with my own hypocrisy. Since I do like thinking most of the time. But as a professor, I kind of do it on my own terms, you know. And so having having to do that and think about this, feels like a lot. I’m also a writer and I feel this weird anxiety about how we've got a prime viewing place in Fredericton. Like okay, am I going to think of something interesting to say? like I'm not going to match Annie Dillard that's for sure.” Annie Dillard, author and essayist, wrote a famous essay “Total Eclipse” for the Atlantic in 1982 about the all-encompassing, near metaphysical horror of the eclipse. And while Dinan joked about this concern being self-centered, there is a real, palpable dread in not being able to express one’s experiences, especially experiences that are as powerful as an eclipse. “I think that I want it to be cloudy,” Dinan said. (The weather forecast if for clear skies.) “I know that people throughout history all the way back to the ancient Greeks have lost their minds when this has happened. I was hoping it would be cloudy so that I didn't have to think about it. Because I'm freaked out by the Annie Dillard essay. The enormity, you know?”” However, beyond the uneasiness, Dinan still looks forward to the eclipse. “It's this genuine opportunity to be pushed outside of yourself. I like thinking about it as an ecstatic thing. It’s something that we should maybe consider a little bit before it happens, but I think on the other hand, there's no amount of thinking that's going to prepare you for it. So people should be kind of just willing to let go a little bit. Of the desire for control. And so I think that's a really good thing for people. I think that's part of what we need. “And so for me what's exciting about it is this reminder of the first person character of human life that makes things a little bit different and that we can't reduce them to their scientific meaning.” It’s hard to properly conceptualize something one hasn’t experienced, something consistently described as incomprehensible, that has thrown people into mass hysteria and disarray for as long as history has been recorded. Trying to wrap one’s head around this, to conceptualize this, moves beyond difficult and into the area of genuine discomfort. “Thinking is the thing that tries to make us see the luminosity of existence, like, to see things that are actually there rather than what we think is going to be there,” Dinan said. “So when I talk about old Hobbes and flattening things out and explaining away anything that might be kind of interesting, the eclipse kind of doesn't give you that option.” For context, Thomas Hobbes, the political/philosophical thinker behind Leviathan, is probably most famous for his quote “The life of man, solitary, poor, brutish, and short.” Do with this what you will. Dinan notes that it highlights something deeply uncomfortable in our own lives, “the enormity of our lack of agency. We tend to think of thinking itself, as this very kind of controlled thing. But, I think about the way that Socrates’ palinode in the Phaedrus talks about thinking as a kind of ecstasy, a kind of mania.” Socrates, the central figure of the Plato’s philosophical dialogs, at many points in the dialogs, suggests a similarity between rhetoric, sexuality and eroticism. “I had a student a few years back who wrote a reflection on Dillard and she said at the time, ‘infinity is unpleasant.’ However, Dinan believes that unpleasantness isn’t inherently something to be avoided, in some instances it may even be something to be embraced. “There are these moments of revelation where things become clear but then, you may not always like the implications of the thing that you've realized. You know, ‘pathe’ in Greek where we get passion from means to suffer. Like these sufferings, that might be the stuff that people really like. That might be where the meaning lives in this profound way. The things that I don't control, not the things that I do. “Moments that are really kind of full in this way. I think are hard for us. The possibility of a moment that is unlike other moments, that’ll change us is not something that we like to consider. That's the thing that wakes us up out of our complacency. The completeness of this.”

WHAT TO EXPECT IN THE PATH OF TOTALITY

By Giuliana Grillo de Lambarri Flowers closed and mosquitoes swarmed, only to be met by bats ready to devour them. Hippos came out of the water to graze, taking advantage of the cool darkness. This scene lasted for a moment, then the light came back to the hill and the animals returned to their diurnal routines. This is what Jan Cami saw during the June 21, 2001, total solar eclipse on the border between Zambia and Zimbabwe. He was looking west to see the shadow of the moon racing towards them, then it became dark where they were a few seconds later. Eclipses are not only a fascination for the sciences, “but for the overall experience as human beings,” he says. The celestial event on April 8, 2024, is a total solar eclipse, but what does that mean? “In a total solar eclipse, the moon will completely be in front of the sun, completely covering it,” said astrophysicist Magdalen Normandeau, while gesturing, one hand representing the sun and the other the moon. Normandeau explained that more common eclipse experience is the lunar eclipse, which occurs when the Earth passes between the Sun and the Moon and casts a shadow on the Moon. "Anybody who's on the night side of the earth sees the lunar eclipse because the moon is going to pass through this big shadow," they said. Why isn’t the eclipse visible everywhere in the world? The moon is exponentially smaller than the earth and the sun, with a radius of about only 1,740 km at its widest. In comparison, the Earth at the equatorial radius measures at 6378 km and the sun at 696,000 km. Normandeau explained that this size difference means only a small shadow is cast on the Earth. “The moon is small and far, and so its shadow on the earth is tiny. That’s why it’s quite rare to see a solar eclipse because the shadow of the small moon on the earth is only a small spot.” Additionally, because both the Moon and the Earth are both moving and rotating, this shadow is not static, creating a pathway. This year’s shadow will measure 196 km and will move at 2523.451 km/h. During their lifetime, Normandeau has researched the stars and constellations that brighten our nights for years, focusing on studying the gas between stars and how very massive stars influence the dynamics of the gas. This research has taken them all over Canada: undergraduate degree in Quebec, master's in Calgary, PhD in Calgary, postdoctoral work at a telescope in British Columbia and finally teaching here in New Brunswick, where the eclipse will be visible. Cami became an astrophysicist “by accident” after his father took him outside to look at the night sky when he was only five. “The second time he took me outside after a few weeks, which to a five-year-old is an eternity, the stars were still there,” he recalled. “I was like, ‘Oh, that's pretty cool!’ So already from a young age, I actually wanted to be an astronomer.” He went on to study physics in his native country of Belgium and moved all around Europe and North America to follow his passion and work. He is now a professor of astrophysics at the University of Western Ontario and the director of the Hume Cronyn Memorial Observatory. To him, the views of an eclipse go beyond the Moon obscuring the Sun. Observing how the sky changes colours, how bounces off the trees, how the animals react to it — that is what makes an eclipse interesting. The eclipse he saw in 2001 is one of three he has seen in person. His first one took place on August 11, 1999. He attended eclipse-watching parties along the path of totality with around 150 young astronomer enthusiasts. By contrast, he watched his third eclipse, the Great North American Eclipse in 2017, with only a few friends in the Wyoming prairies. Before totality, when much of the Sun has been covered by the moon, he always notices that colours subtly shift, casting a magical hue. And when he glanced toward a nearby tree, he saw how the holes in the leaves created “small projections of this crescent sun.” The air grew cooler, embracing the impending darkness of the eclipse, and then in a minute, it all went back to light. This won’t be his last eclipse. He and some fellow astronomers, whom he considers friends and family, will be travelling to Texas to see the upcoming eclipse on April 8. The trip will be long, but to see this celestial event it its totally worth it. “A lot of people that are just outside the path of totality say ‘Oh, for me 99.6 per cent is good enough.’ But that 99.6 per cent of totality is not 99.6 per cent of the experience,” he said. “It’s that last ray of sunlight that’s being blocked by the moon that makes all the difference.”

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OF DARKNESS AND LIGHT

By Erin Hurley I’ve spent my Tuesday and Thursday afternoons this semester in a windowless, basement classroom talking about the end of the world. It’s a class called Envisioning Environmental End Times, taught by Brandi Estey-Burtt, in which we explore depictions of the apocalypse in literature and connect them with portrayals of the climate crisis today. It’s not the brightest topic and, well, not the brightest room either. It’s all been somewhat terrifying. While the days are gradually growing longer through the Canadian winter, we will soon experience another plunge into darkness, this time from the total solar eclipse on April 8. Our St. Thomas University campus in Fredericton, New Brunswick, will be right in the path of totality. This means the city itself will be enveloped in a blanket of darkness, if only for a few moments. But a total solar eclipse is not simply like a light switch turning off in the universe. It’s so much more than that. It’s the moon – once something that illuminated the darkness, something to admire from afar, a long-distance friend – suddenly barreling forward and stealing the light from all around you. Just sucking it up until you are immersed in an inexplicable nothingness. “You have the sense of the moon’s shadow rushing towards you at phenomenal speed. The temperature drops. The winds will pick up. You get the eerie sounds – it goes quiet,” said Lucie Green, Professor of Physics and a Royal Society University Research Fellow at the University College London’s Mullard Space Science Laboratory, in a BBC podcast called “Eclipses”. We now understand the science of total solar eclipses, at least a lot of it, which has helped to illuminate this once mysterious phenomenon. But in ancient times, these events were shrouded in uncertainty and terror. While we now have artificial light that can ward off complete and total darkness, earlier societies did not. “The whole Earth would have gone dark,” said Estey-Burtt. Windowless rooms and artificial light always make me long for the sun, but I’ve never experienced the sudden and complete darkness that a total eclipse brings. I’m so accustomed to the normal cycles of day and night, and sunrise and sunset. Would I be overcome with fear if I didn’t have artificially lit buildings separating me from the vast and unforgiving cosmos? Yes, I think seeing a total solar eclipse in ancient times might very well feel like the world is ending. “Everything that you take for granted – that gives us light and heat and warmth and the things of life – the sun has disappeared and energy has been sucked off deep into space,” said Frank Close, Emeritus Professor of Physics at the University of Oxford, in that same BBC Podcast. Different ancient societies came up with their own explanations for those sudden falls of darkness. It’s a “very human response” said Estey-Burtt. If you think about it, you’ll realize that humans are always trying to find an explanation for things they don’t understand. We just don’t like the feeling of not knowing. And maybe we don’t like admitting, or even thinking about, just how little we know about the universe. A solar eclipse record from ancient China describes the total eclipse as a dragon eating the sun. People there tried to dispel the dragon by being as loud as possible, and they would use drums and pots to help with this. It is even said that the Chinese Imperial Emperor Chung K’ang’s (B.C.E. 2159-2146) court astronomers, Hsi and Ho, were beheaded because they had not predicted the eclipse. Clearly, the uncertainty of solar eclipse events did not sit well with many people. “It seemed that there was no other kind of explanatory framework for them, except for something that was supernatural in a sense,” said Estey-Burtt. Similar explanations were seen in other ancient societies. The Vikings thought it was the beginning of an apocalypse. The ancient Greeks believed it to be the work of angry gods. A religious or mythical explanation for the total solar eclipse was still an explanation. Better than nothing, perhaps. Better than a complete unknown. “Well, if God took away the sun, or whatever deity, then that deity can bring it back if we do the right things. So it was an attempt to mitigate uncertainty,” said Estey-Burtt. “We don’t like losing control of things.” There are a lot of unknowns in total darkness. The word “darkness” even has a negative connotation in most cases. In Annie Dillard’s “Total Eclipse” essay, she writes about the feeling of terror she and others felt when experiencing this plunge into darkness in 1979. She recalls the silence, the dried eyes, the drained arteries and hushed lungs of the crowd that gathered to witness the celestial event. “Our minds were light-years distant, forgetful of almost everything. Only an extraordinary act of will could recall to us our former, living selves and our contexts in matter and time.” Because even though they had been there to see the eclipse, it seemed that nothing could prepare them for the speed and totality of it. Dillard recalled reading that the moon’s shadow moves 1,800 miles an hour. So we can prepare for a once-in-a-lifetime cosmic event all we want, but how can we truly prepare for something that reminds us, in such a dramatic fashion, of just how small and insignificant we are in relation to the universe? “The second before the sun went out we saw a wall of dark shadow come speeding at us. We no sooner saw it than it was upon us, like thunder. It roared up the valley. It slammed our hill and knocked us out. It was the monstrous swift shadow cone of the moon,” said Dillard. Besides attributing divine explanations to the total eclipse, we also improved our methods for predicting this phenomenon over time. Today, scientists across the globe predict total solar eclipses. And they share it with the world so that we know what to expect. So that we can prepare, I suppose, if that’s truly possible. Chris Watson, a Research Associate with the UNB Physics department, is gearing up to study the phenomenon this April. And many people are excited for the upcoming eclipse, despite the legacy of fear it carries with it. People have marked the date that scientists have predicted in their calendars. They are planning where they will view it from, and who they will view it with. “I think I’ve seen a partial [eclipse]. But I was probably very young for that, so I can’t wait for the one that’s upcoming. I think it’s just going to be so striking. There’s going to be no sun!” said Estey-Burtt. I think these feelings of awe and terror that surround total eclipses can coexist. Just because something scares us, that doesn’t mean it’s not also beautiful. Maybe it’s about reconciling the fear and the awe until we can embrace the beauty. Maybe it’s about finding the light amidst the darkness. “What does it mean to find beauty in the midst of the apocalypse?” Estey-Burtt wondered. By exposing ourselves to new experiences, and new conversations, we can become comfortable with the unknown. When we are open to learning, whether that is about total solar eclipses or other cultures or even the apocalypse, what was once scary transforms into something beautiful. In doing so we can dispel the darkness that threatens to creep in when we face uncertainty. And we can find the light once more.

A TIME FOR RECONNECTING WITH NATURE

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In Mi’kmaq culture, the total solar eclipse is seen as a time of healing and setting intentions. It can be a chance to reflect on how disconnected we have become from nature in Western society and how we can heal our relationship with the more-than-human world going forward. Erin Hurley talked to Wolastoqey Grand Chief Ron Tremblay, Wampanoag elder gkisedtanamoogk, and Mi’kmaq student Jonah Simon about their own connections to nature, individually and within their cultures. Although they come from different Indigenous backgrounds, they unite on their stance that humans must recognize our place in the natural world, understand how much Mother Earth does for us, and respond reciprocally. 

A Time for Healing
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ENGINEER TO SEND TELESCOPE ABOVE THE CLOUDS

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By Corey Kelly As a kid, David Hunter was captivated by science and more specifically space. In 1970 he made his own telescope and had his parents take him to see the total solar eclipse in Nova Scotia. He got all set up, ready to observe the corona but his view was blocked by the clouds. Nearly 50 years later he learned there would be a total solar eclipse in his hometown of Florenceville Bristol, in 2024, and he was not going to let the clouds ruin his experience again. This was when he created the plan for a balloon bone solar telescope, a project that would get up above the clouds and broadcast the view back down to earth. With the work and expertise of David and his many teammates, the telescope is set to launch on April 8th to capture the total solar eclipse. The photos will be broadcast to watch parties all over central New Brunswick and even into Maine.

MYTHS AND THE ECLIPSE

SYMPATHY FOR THE DEVIL

By Camila Gomez In his office on the second floor of Edmond Casey Hall on St. Thomas University’s campus, Derek Simon transports me deep into to the past, to the place where gods, wolves and devils were brought to life in the path of totality. Some of the most difficult and unsettling myths in ancient faiths have their roots in the experience of an eclipse. “The disappearance of the sun in the eclipse was experienced as a crisis to the stability of the universe and a crisis to stability of sacred powers behind it,” Simon said. For example, in Batammaliba mythology, a community in in northern Togo and Benin, an eclipse represents the sun and the moon clashing in a celestial battle. Ultimately, they are urging both humans and celestial bodies to find a common ground and mend their fractured bonds. The Batammaliba people believed resolving conflicts was crucial for restoring harmony. They saw the eclipse as a result of human conflict, and only by resolving these conflicts could balance be restored, both on Earth and in the celestial realms. The eclipse would disappear once harmony was restored among them. This story intrigued me because it diverges from the typical mythological theme of restoring Earthly balance. Unlike other eclipse myths centred on fear, this narrative offers a different perspective, challenging conventional expectations. When some societies saw the eclipse as a time of terror, with mythical figures eating or stealing the sun, others viewed an eclipse as part of the natural order that deserved respect, or at least reflection and reconciliation. Simon said term mythology has often been misunderstood, mistakenly using it to refer to stories without any connection to science or fact. “The basic thing about each mythology is that they were evidence-based, and were based on observation,” he said. Simon says mythology established connections with the natural world, linking natural phenomena with the sacred. In this view, bizarre events in nature were seen as potentially disruptive to the ordered cosmos, governed by powerful entities such as gods and goddesses. “The disappearance of the sun in the eclipse was experienced as a crisis to the stability of the universe and a crisis to stability of sacred powers behind it,” he said. That was the reason why the eclipse was seen as something dangerous and threatening. In the scriptures of The Puranas, a polytheistic genre of Hindu literature, it's told that during a divine festival, a demon known as Rahu disguised himself to drink the elixir of immortality. However, Vishnu, one of the gods, discovered the demon's deceit and swiftly decapitated him. The demon's head soared into the sky, causing an eclipse when it crossed the sun. Different versions say Rahul’s head is immortal. He tried to pursue the sun, he captured it and swallowed it. But it went down his throat and the sun reappeared. The solar eclipse plays a role in rituals or ceremonies across cultures. Although there were not religious ceremonies, the conflict resolution process is considered part of a spiritual process. Communities gather to engage in profound dialogues, accompanied by rituals such as dancing and singing, fostering reconciliation during this event. “There wasn’t any particular religious ceremony attached to the eclipse of the sun. And within our suite, we simply don’t know.” Simon said although it is not possible to know with precision religious ceremonies that involve the eclipse, mythologies like the Nordic or Chinese included certain rituals while witnessing the eclipse. In order to combat this so-called "eating of the sun," people in many cultures used to make noise to scare the demon or animal away. In Norse mythology, the sun was being eaten by two wolves known as Sokol and Hati. These two wolves were hungry for celestial bodies, with Skoll having an acquired taste for the moon and Hati partial to the sun. During an eclipse, they believed the wolves had caught up their prey. Back on Earth, the Vikings would hoot and holler in an effort to scare Skoll and Hati away, allowing the moon to pass by the sun. If Skoll and Hati were ever able to successfully eat the moon and the sun, it would indicate the pending apocalypse, known as Ragnarok, transforming the Middle Earth into a battlefield for the gods and giants. Nordic cultures saw the sun getting eaten as a sign of the beginning of the battle of the dead times that would destroy the world. “The presence of the solar eclipse was often linked to fear of a threat on a cosmic level,” he said. Simon said he follows natural cycles and patterns in the environment in his own life. “I do take natural cycle and ecological matters; they do speak spiritually.” The eclipse symbolizes a cosmic imbalance, giving rise to myths born from the fear of this disruption. Yet, there’s also a profound sense of endeavour to restore equilibrium, reflecting humanity’s innate striving balance in universe. “A sign of imbalance in the universe. When most of the people look at the sound going out of balance, they want to fast or enter into a more reflective mindset.” to anything, or set your text box to expand on click. Write your text here...

The god of darkness named Rahu is swallowing the moon (or the sun).  Thai people usually p

By Camila Gomez In "Paradise Lost," John Milton guides us in and out of darkness. Lately, I’ve been thinking about Milton’s poem in connection with stories we have been writing related to the arrival of the total solar eclipse that will block the light of the sun on the east coast of Canada this spring. I’ve been wondering what pulls us into the darkness and what returns us to the light. Milton develops Satan as a complex and subtle character, appealing and heroic early in the poem perhaps to draw us to sympathize with him against our will. In the beginning, Milton describes Satan as the hero or protagonist of this epic story, where he struggles to overcome his own doubts and weaknesses. In the first book, it is possible to see a Satan that is eloquent, psychologically complex and morally ambiguous. The most fascinating thing is that Satan is neither fully good nor evil, but a mixture of both, which is actually the definition of a tragic hero. However, as Paradise Lost continues, Satan’s character, or our perception of this character, changes. It is possible to identify different shapes he assumes, from being compared to a comet as he leaves Hell, to being more humble, and finally a snake. Also, his ability to reason and argue deteriorates. Although our perception changes, Paradise Lost made me reflect on the reasons why Satan caught my attention. Perhaps, because it portrays a very human vision of what evil is, defying the medieval depictions of evil where he looks demonic or like a monster; Satan is described as very charismatic. This idea reminded me of the CBC Podcast: Better to Reign in Hell, where the host of the show discussed how Satan resonates with people during moments of rebellion. The podcast reflected on the story of Milovan Djilas, who began translating Paradise Lost into Serbian in his jail cell. The podcast explored how audiences are drawn to villain-heroes; when someone experiences a great sympathy and empathy with the devil, it might be because humanity intrinsically knows the allure of evil and how easy it is to slide into it. This made me reflect on how as humans we tend to sympathize with characters or anti- heroes, if we have followed them from the beginning of their stories. For example, the movies The Joker and Cruella show the villain from the beginning of the story, which allows the viewer to understand the reasons for how they are. Although this does not justify their actions, the viewer starts seeing characters as less perfect and more real that make mistakes and have motives for not following rules. Milton’s description of Satan becomes an opportunity to examine our own capacity for evil — rather than viewing evil as something totally foreign to us. I found Milton’s description of Satan and comparison with astrology interesting. I did not pay too much attention to this description until I began working on the total eclipse project. I began to see how Satan slowly lost his light as a reminder of how beautiful he was. In other words, the more time Satan spends in Hell, the more light disappears — this metaphor could be related with the form of the eclipse. Furthermore, Milton describes Satan as a comet, a meteor, solar eclipse and sunspot: “Th’imperial ensign which, full high advanced / Shone like a meteor streaming to the wind.” Astrological events that were seen with more fear than today. Another example is when Satan is compared to “eclipse, disastrous twilight sheds/ on half of nations, and with fears of change/ perplexes monarchs…” This shows Satan as an eclipse but shining like the sun behind the moon and casting fear on all onlookers, especially monarchs. We no longer fear eclipses, so Milton’s description cannot make us feel automatically everything he may have intended to evoke. However, it is fascinating that even without having the quality of photography we have now, Milton’s description of astrology is accurate, that after years he can still make see the images he imagines. So why do we gravitate toward darkness? Maybe that's because there are moments when it tells a more compelling story. Maybe it’s because at times the light is blinding. Or perhaps it's just because we're so broken. But let’s go with the light.

ROAD TRIP: FOLLOWING
THE PATH OF TOTALITY

By Ben Ford As the eclipse rounds the corner of the earth, the shadow falls on Mazlatan, a part of western Mexico, at 2 p.m. Just an hour and a bit later, that eclipse will fall on New Brunswick, where I grew up. The eclipse makes landfall in the province first at Florence-Bristol, with their eclipse starting at 3:22:41 p.m. and the totality starting just under an hour later at 4:32:19 p.m. for a period of 3 minutes, 18.9 seconds. The total solar eclipse will pass through 1,132 local hamlets, villages, and towns, hitting seven major municipalities along the way. The path stretches one hundred to one hundred and fifteen kilometres, with its centre marking a clear line starting with Florence-Bristol and Hartland, then straight to Boiestown and Doaktown, respectively, before carrying through Blackville, Rogersville, and St-Louis de Kent. As far as municipalities that have events planned around the celestial wonder, Woodstock will follow suit after Florence-Bristol. The eclipse will happen at 3:22:34 p.m., and the totality will start a little over an hour later at 4:32:22 p.m. for 3 minutes and 16.2 seconds. It will then move over Hartland, which has the longest totality at 3 minutes and 20.7 seconds. The syzygy will then continue to Perth-Andover, Plaster Rock, and then to Fredericton, each having a totality of just under 3 minutes. Before its shadow falls onto the waves of Miramichi Bay, the shadow of the eclipse will hang over the city of Miramichi for a quick 3 minutes and 8.2 seconds, and that is where we will end our road trip. *** I've always loved just getting in my car and driving somewhere. Last summer, I averaged 500 kilometres in my car a week, with most of my paycheck going towards gas. When I heard about the eclipse on April 8, I started researching different activities to commemorate the once-in-a-lifetime event. I found out that most municipalities in the region will be doing something special for the celestial event, which means, good people of the internet, it is time for a road trip. In order to make this road trip effectively, we will have to ditch my trusty Honda Fit and use the DMC-12, the time machine car used by Doc Brown and Marty McFly in the 1985 movie Back to the Future. *** Florence-Bristol, being the first in the path of the totality, has an event with astronaut Chris Hadfield, held later on in the evening after the totality, at the Northern Carleton Civic Centre and a helium balloon launch held on the Amsterdam Inn and Suites grounds at 2:30 pm, with the launch expected at 3:30 p.m. This project is the only citizen-led project outside of NASA and carries six cameras taking continuous video of the sun, along with a solar telescope, designed by David Hunter, a retired physicist. Images will be live-streamed to the web and fed to a large screen at the launch site ground station as well as to five viewing centres in Florenceville-Bristol, Woodstock, Hartland, Perth-Andover and Plaster Rock, New Brunswick. *** Woodstock, our next location, sits right beside the Saint John River. Slowing from 88 miles an hour, we first stop for breakfast at either the Northampton Recreation Centre or the Woodstock Golf and Curling Club. If your soul is feeling a little heavy, there will be a sound bath and a sacred talk and release right after the breakfast, hosted at Sound Healing Space. If you are feeling spry, a family fun run will be available at the Fisher Public Library, complete with door prizes. If a run is not up your alley, Maplefest and Mystical Market will be held at the Woodstock Farm and Craft Market and NBCC Woodstock, respectively. Along with other musical acts, the tribute band Swift Kick will be performing late Sunday night at the McCain Community Theatre, followed by a Kitchen Party hosted at AYR Motor Centre. On Monday, the first hundred people at St. Luke's Anglican Church will receive free hotdogs. A 3:00 p.m. church service, from darkness to light, will conclude the weekend festivities. *** We climb back up to the familiar 88 miles per hour, headed towards three spots on the map that only have events on Monday. Hartland, and Perth-Andover First, we will stop at the Hartland community school for an event at 2 p.m., starting with a rendition of Bonnie Tyler's "Total Eclipse of the Heart," accompanied by a live stream of images from the solar telescope. Stopping by Perth-Andover, we will be entering an event much like Hartland's. Starting at 2:30 p.m., the solar telescope will be live-streamed at the River Valley Centre grounds, and food trucks and music will liven the grounds. *** Hopping back into the DMC-12, we reach 88 miles per hour, which is just the right speed to get our flux capacitor moving. We drive all the way back to Plaster Rock, just 176 kilometres away. Plaster Rock, a town situated in the Tobique Valley on the western edge of the Appalachian mountain range, is home to the largest pond hockey tournament in the world. This spring, it will be home to a once-in-a-lifetime celestial event. We start on Friday, April 5, with a stargazing party at the Village, a town venue. The following morning, depending on where you choose to adventure, you will be at the fire hall for an early morning breakfast or at a vendor fair, which overlaps with a science fair later in the afternoon at the town's arena. On Monday, Roulston Lake will host a guided tour of the event starting at 2:30 p.m., with an astronomer from Cliff Valley Astronomy explaining the eclipse process. *** We get in the DMC-12 and make the last trek to Fredericton, the capital city, with an EclipseFest building out the 3 days leading up to the eclipse. It will start out with a star party hosted by the Royal Astronomical Society of Canada, where patrons can learn about the wonders of the night sky and the mythical characters that can be spotted. If taking pictures is more your thing, an intro to photography is offered on the morning of April 6 in the New Brunswick Sports Hall of Fame. If you want to get a tattoo to commemorate the day, there is a flash day held at Moonlight Tattoo the whole day. The day after, at 2 p.m., a paint and sip will be held at the Dandy Paint Lounge, followed by a Family Art session available by drop-in at the Beaverbrook Art Gallery. On the day of the eclipse, if you fancy a drink, there are many brewpubs, including Trailway Brewing Co, OG Ales, Picaroons Roundhouse, York Cider, and STMR.36 Lobby Bar will be hosting eclipse watch parties. If it's a dry day for you, a public watch party will be hosted by the Royal Astronomical Society of Canada in downtown Fredericton beginning at 2 p.m. *** As the road winds through trees covered with snow, the city of Miramichi comes into view. The roar of the Miramichi River can be heard through the car, and I pull into the first event of the festival, an Astronomy East Conference featuring guest speakers, vendors, and all of the sort, from the 5 to the 7 of April. The evenings of this weekend will be filled with a Cosmic Jamfest spanning two days and five pubs, offering a festive way to take in the eclipse weekend. On the 6th, from eight to eleven p.m., during the Cosmic Jamfest, the city of Miramichi will host a sound and light drone show on the Miramichi airstrip. Two days later, the entire weekend culminates in a 1:30 p.m. eclipse viewing party on the airstrip featuring food trucks, vendors, and music. *** A total solar eclipse like this has only happened seventeen times since 1867. As the totality makes its way east to pass over Europe as a partial eclipse, it is important to understand the frequency of these eclipses and how awe-inspiring they are.

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SHOPPING GUIDE TO SOLAR SOUVENIRS

By Camila Gomez I've just picked up my Canada Post total eclipse stamps, my first souvenir of this celestial event of a lifetime. Canada Post released the eclipse stamp on March 24. I bought a book of 10 for $9.20. The image on the stamp, a photo-illustration, shows the sun at the moment of totality and a line to mark the path of the eclipse from its entrance point in Ontario to its exit point in Newfoundland and Labrador. The sun hovers above a photo montage of iconic Canadian landscapes. With one souvenir in hand, I’ve been searching in Fredericton for eclipse merchandise and events around the city. During this event, it is important to take precautions to look at the sun. Harmful radiation from the sun can cause permanent damage to your eyes. It is essential to wear eclipse glasses or use solar filters for telescopes or binoculars. The product you get should be certified ISO 12312-2 to ensure your eyes are protected. Science East is selling safe viewing glasses in their gift shop. Also, some stores in the Regent Mall are giving free glasses with gift card purchases of $50 or more. The City of Fredericton has organized EclipseFest Fredericton, April 6 through April 8, staging, among other things, theatre presentations and planetarium exhibitions curated by Science East. This event provides an opportunity for astronomers and the curious alike to prepare for the eclipse experience, offering to the participants educational insights, fun, and souvenirs. EclipseFest Fredricton partnered with MondayPrint & Swagshop to provide souvenirs and mark this astronomical phenomenon. You can find anything from shirts and hoodies to mugs with the printed logo of the EclipseFest, in the online Swagshop. EclipseFest is not the only place where you can find hoodies or shirts of the solar eclipse, but also Eclipse Fact Shop has personalized shirts of the city of your preference. You can select a Canadian tour and find the Fredericton 2024 solar eclipse shirt. Fredericton has different events to gather the community to enjoy this event. Picaroons on the north side of the Wolastoq is hosting an Eclipse Watch Party in its oversized patio with a free fee cover. The community will gather in the Dooryard from 2 p.m. to 5:40 p.m., which it is a perfect spot to view the total eclipse, while enjoying food and of course the commemorative beer, Picamoons.

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